“Amongst the best was Andrew Boyd’s compendium-like Beautiful Trouble which brought together some of the most imaginative elements of a movement influenced by a mix of non-violent direct action and the public drama of situationism.”Mark Perryman, The Substantive
To make a single, unified statement with thousands of people.
There’s no law saying that the revolution can’t be fun — and human banners are excruciatingly fun. No chanting, no harangues; just hundreds of people using their bodies to form enormous words or an image in order to send a message.
I’ve helped create ten human banners, with crowds ranging from 300 to 1,500. Each event was powerful, cathartic, and the feedback was always something along the lines of: “The most enjoyable, most fun, best demonstration I’ve ever been to!”
The human banner is a powerful, expressive tactic. It has some of the political virtues of a rally: it turns out numbers that physically demonstrate public support and the movement’s ability to mobilize, but it does so with elegance, like a work of art.
It works well for media coverage, too. Journalists need fresh story angles and compelling visuals, and the human banner delivers: it’s unusual, remarkable, notable, people-powered, and made up of a thousand individual human interest stories. And when composed correctly, it delivers the money shot the media is always looking for: a single iconic photo that speaks for itself, that tells the whole story on its own see THEORY: Action logic.
A human banner can be spur of the moment — a milling crowd can be quickly arranged and photographed from a nearby building or lamppost — but conscientious planning can produce staggering works of aerial art.
Here are some things to keep in mind when planning your human banner:
The slogan/image: Your image needs to communicate your message concisely and powerfully. Words and symbols are easiest to lay out, pictures trickier. You want viewers to get your message on first blink, and gasp at its beauty, audacity, and clarity.
The site: An iconic background anchors your photo to a place. Murals can be created on sand (etch the outlines before the crowd arrives), on grass (mark it with ropes or string), on pavement (chalk). A football field-sized area works well. My preferred font size for lettering is 100 feet tall, ten feet wide.
Photography: Video is nice, but getting at least one great photo is your goal. A helicopter gives optimal photographic maneuverability, but other possibilities include small planes, tall buildings, cranes and camera-balloons.
Crowd: You’ll definitely want enough folks to fill in your lettering, plus a cadre of event volunteers. Pre-registration prevents last-minute scrambling — or, worse, a “thin,” scraggly image. Focus on designing an event you’d be excited to attend. Nail the details.
A human banner allows you to tell an entire story in one stunning image, but you’ll likely have to deliver that image yourself. Invite the media along, but don’t expect them to bring a helicopter. After the event, with aerial photo and press release in hand, you’ll have a ready-for-prime-time package.
It’s easy to get grandiose in your plans, but complexity doesn’t scale well. Keep it simple. Or if you do want to get complicated, test drive a smaller version first, then plan meticulously.