” … an endlessly fascinating and unique guide to actually fighting to win.”

Murray Dobbin, rabble.ca

L.M. Bogad


L.M. Bogad is a lifelong creative strategist (guided and goaded by Harpo, Groucho and Zero), co-founder of the Rebel Clown Army, founding director of the Center for Artistic Activism (West Coast), and professor of political performance at the University of California, Davis. He writes, performs, and strategizes with the Yes Men, Agit-Pop, and La Pocha Nostra. Author of Electoral Guerrilla Theatre: Radical Ridicule and Social Movements, Tactical Performance (forthcoming), the play COINTELSHOW: A Patriot Act, and works about the Spanish Civil War, Haymarket Square Riot, Pinochet coup, and the Egyptian revolution. He has led his Tactical Performance workshops in revolutionary Cairo, Reykjavik, Buenos Aires, and across the US and Europe.


Contributed Modules

Theory: Alienation effect

Contributed by
May 20, 2012

The alienation effect was Brecht’s principle of using innovative theatrical techniques to “make the familiar strange” in order to provoke a social-critical audience response.

Tactic: Electoral guerrilla theater

Contributed by
May 16, 2012

Running for public office as a creative prank — not to win the election, but to get attention for a radical critique of policy or to sabotage the campaign of a particularly heinous candidate.